Monday, November 28, 2011

Richard Serra's "Sequence" at the Stanford Art Museum

One of many things I was grateful for this past Thanksgiving weekend was a stop on our drive back from a holiday dinner in Watsonville, where we feasted with cousins.

We stopped at the Cantor Arts Center on the Stanford University campus because the last time we were there, for only a brief hour, we didn't have time to visit Richard Serra's "Sequence" (2006), a steel sculpture of monumental scale and exhilarating beauty.

Friday's sky was almost perfectly clear, allowing bright sun and deep shadow to heighten color and dramatic contrast as one moved through Sequence. I made my way slowly through the sculpture again and again, seduced by its fluid power, seductive curves, and hypnotic textures.

I know, I know, blah blah blah, you can't see art by talking about it. So here's a walk-through video, taken by an amateur videographer (that would be me) with consumer equipment (that would be an iPod Touch) in two shots, separated by about 20 minutes. The sound track is ambient; the low-pitched engine noise on the 2nd part of the video is the Goodyear blimp flying overhead. It's not the same as being there, but maybe it'll give a glimmer of an idea of the actual experience.



Serra's Sequence is loaned to the Cantor Arts Center from the collection of Doris and Don Fisher, and since its creation in 2006 has been exhibited at MOMA in New York and at LACMA in Los Angeles. It will be a part of the inaugural installation of the Fisher Collection at SFMOMA when the new wing of the museum opens in 2016. That leaves plenty of time to see it on the north side of the Cantor Arts Center on the Stanford Campus.

Don't forget to visit Andy Goldsworthy's Stone River in the field northwest of the Cantor Center's main entrance, or the Rodin sculpture garden on the south side of the building. It's hard not to be thankful for a visit to Stanford's art museum.



Related posts on One Finger Typing:
Shape, stone, seeing: Andy Goldsworthy, Richard Long, Michael Ondaatje
Marilyn Monroe meets the Haymarket Riot: a tale of two Chicago sculptures
Meet the Fishers

1 comment:

  1. This sculpture is truly breathtaking. I particularly love the ever-changing lights in the natural environment. I wonder what it might look like once it's moved to the new wing at SFMOMA. If it would be held indoors, I'm afraid that some of the magic would be lost. Therefore, try to see it, and walk around and through it before it leaves Sanford.

    Matthew Felix Sun

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